• Arthur Morgan on a gray horse in the forest. He rides through a dark forest towards golden sunlight, holding a bow in his left hand and the reins in his right.
    X. Warlock

    Nothing Gets Forgiven: RDR2’s Last Word

    Red Dead Redemption 2 is a paradox: despite justifiably being called one of the greatest games ever made, as a work of narrative art, it falls short of greatness. In aspects — the standout performances, the rendition of characters’ facial expressions, the golden choruses of the sunsets — it is superb. However, despite the story's powerful effects, RDR2's reputation as a superlative work is undeserved. Some of its formal problems are, perhaps, inevitable in a narrative form as nascent as the video game. Plot holes break the fabric of the story here and there.

  • A photo collage of Dutch Van der Linde, a photo of outlaw Chris Evans, Arthur Morgan, and an illustration of John Sontag.
    0. The Past is Prologue: Sontag & Evans

    Philosopher, Outlaw, Poet, Robber: The History that Wrote RDR2

    The history of the Wild West is so enshrouded in myth, lies, obfuscations, half-truths, and rumor that once these delicate layers are peeled back, the definite facts they're mounded on seem scant enough to be scattered by a breeze — if they weren't weighted with blood and gold. Famous figures like outlaw Emmett Dalton and Wyatt Earp's wife, Josephine, intertwined the bare facts of their lives with legend. In the attempt to immortalize themselves, they erased themselves: it is not always clear whether something really happened, let alone how it happened or who did it.

  • A skeleton that was once a woman named Martha. She lies on the floor of her cabin, clutching her chest.
    IV. Interlude: Desperado

    “It’s Just a Girl”: Gender, Misogyny, and Homophobia in RDR2 III

    The flawed beliefs about gender that Dan Houser, Michael Unsworth, and Rupert Humphries demonstrate through RDR2 harm their efforts to write characters of both the genders the game depicts. They dismiss the women and damn the men rather than allow them to act in ways the Western codes as feminine. If they were able to understand that women are not lesser beings, perhaps their minds would be broad enough to imagine other endings for their male characters. But they aren't: women are not written well in RDR2.

  • Arthur Morgan standing in Flatiron Lake. He looks back at Jack Marston, who stands on the shore. The photo is backlit and the light is misty and glowing.
    I. Paradise Lost

    Virgin Lands: RDR2’s Dream of Colonizing Eden

    Red Dead Redemption 2 mourns the loss of Eden: the outlaw life in pre-Industrial America. But under the brutal rule of colonialism, who is it who lost paradise? All articles on this site feature detailed discussion of literary allusions in Red Dead Redemption 2, and as such contain unmarked major and minor spoilers for the game, and occasionally the eventual fates of some characters in Red Dead Redemption. Read at your own risk. One of the cleverest things the developers did in Red Dead Redemption 2 was to make the technical limitations of Red Dead Redemption thematic. John can’t swim; Arthur can. John prints; Arthur writes. Arthur is more eloquent…

  • Arthur Morgan on a rose gray Andalusian horse walking on Bacchus Bridge. The bridge is broken and Arthur and the horse are walking towards the break. Across the bridge, the sun sets. We can see the Dakota River below them.
    I. Paradise Lost

    “Red Right Hand”: Arthur Morgan as a Christ Figure

    One of the ways Red Dead Redemption 2 often makes literary allusions is in prophetic statements from special NPCs. Blind Man Cassidy gives Arthur Morgan one that alludes to Paradise Lost and that appears, at first blush, to be about Dutch Van der Linde and Micah Bell: “Your father is seduced by the one with the forked tongue. It's no use hoping.” However, that isn't the truest reading of this prophecy. Dutch is also Satan/Eve (as we’ve seen, these characters combine in Dutch) to Hosea Matthews’s Adam. It's Hosea who is Arthur's truest father.