Read Dead

Exploring Red Dead Redemption II’s literary allusions and influences.

  • Table of Contents
  • Most Recent
  • Index & TL;DR
  • Works & People
  • Resources
  • About
  • On Interpretation
  • Table of Contents
  • Most Recent
  • Index & TL;DR
  • Works & People
  • Resources
  • About
  • On Interpretation
  • In RDR2, Arthur Morgan riding a horse out of a dark covered bridge towards the light at the end, much as Dante leaves Hell.
    VII. The Inferno

    The Cold Heart of Hell: RDR2 and Sins of Betrayal

    February 12, 2025 /

    Finishing our journey through the intertwined Eden and Hell of RDR2.

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  • John Marston on a black Arabian horse entering the town of Armadillo.
    VII. The Inferno

    Mapping Hell onto Eden: Symbolism in the Camps of RDR2

    February 5, 2025 /

    As I began to discuss last week, the writers of RDR2 create a taut juxtaposition in the game by presenting the uncolonized natural world as Eden — but also basing each of the gang’s camps on a different aspect of hell, as imagined by Dante Alighieri in The Inferno.

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  • Arthur Morgan on a horse atop the Face Rock in Lemoyne. The setting sun gives him a halo.
    VII. The Inferno

    In a Dark Wood: Dante’s Inferno in RDR2, Part I

    January 29, 2025 /

    Eden, in Red Dead Redemption 2, is the natural, unindustrialized world. However, the writers create a stark juxtaposition by using Dante’s Inferno — meaning “Hell” — to define and describe the Van der Linde gang’s journey through this Edenic world. No matter how beautiful their surroundings, their circumstances make their environments punishing. As Milton’s Satan says, “Which way I fly is hell; myself am hell” (IV.75). The gang brings their misery with them.

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Categories

  • i. Meta
  • I. Paradise Lost
  • II. Paradise Regained
  • III. Arthurian Legend
  • IV. Interlude: Desperado
  • V. Wuthering Heights
  • VI. The Bible
  • VII. The Inferno
  • VIII. Shakespeare
  • IX. Various Works

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