When considering race and anti-Black racism, Black perspectives are the most vital. That said, too often, we act as though being white is an automatic, default, or neutral position instead of considering the precise ways in which racism distorts white perspectives and beliefs. RDR2's portrayal of the white perspective is unconsidered and obscures historical realities. Arthur's demonstrable ignorance of white peoples’ prevalent attitudes in “Preaching Forgiveness as He Went” and “No Good Deed” denies the realities of the time and is totally unbelievable: in no way were white supremacist acts of violence, let alone beliefs, confined to the South.
The history of the Wild West is so enshrouded in myth, lies, obfuscations, half-truths, and rumor that once these delicate layers are peeled back, the definite facts they're mounded on seem scant enough to be scattered by a breeze — if they weren't weighted with blood and gold. Famous figures like outlaw Emmett Dalton and Wyatt Earp's wife, Josephine, intertwined the bare facts of their lives with legend. In the attempt to immortalize themselves, they erased themselves: it is not always clear whether something really happened, let alone how it happened or who did it.
During “A Fine Night of Debauchery,” Arthur Morgan grumbles to Josiah Trelawny, “This ain't Hamlet.” This is the writers begging us to notice that this is Hamlet. Happy to oblige. After the death of his father, Hamlet's uncle Claudius marries Hamlet's mother, Gertrude, and becomes king. One of the senses of discomfort this creates — the rottenness in the state of Denmark — is that Hamlet is of age. Under the rules of primogeniture, he should be king. Arthur is similarly infantilized.
Allusions to William Shakespeare's The Tempest are among the most obvious references in RDR2 — and yet, other allusions to the Bard's work are so subtle we almost have to guess at them. The game doesn't make direct allusion to King Lear or Othello, but the influence of those dramas is clear. Those plays feature a scheming villain spitting poison in the ear of a noble-but-tragically-flawed leader and a loyal but hapless child or follower who dies as a result of the leader's weakness: a plot that RDR2 reworks beautifully. However, this is an influence felt, not named. Other Shakespearean works are alluded to more directly. We’ll begin by discussing…
As I began to discuss last week, the writers of RDR2 create a taut juxtaposition in the game by presenting the uncolonized natural world as Eden — but also basing each of the gang’s camps on a different aspect of hell, as imagined by Dante Alighieri in The Inferno.
The relationship between RDR2 and the Bible is an odd one. The game seems thoroughly secular on the surface, but its ideas about sin and redemption are not unchristian — perhaps because it relies so much on Paradise Lost to shape it. But the use of that text doesn't entirely account for the use of Biblical material in the game, which indicates a broad familiarity with that body of work.
The flawed beliefs about gender that Dan Houser, Michael Unsworth, and Rupert Humphries demonstrate through RDR2 harm their efforts to write characters of both the genders the game depicts. They dismiss the women and damn the men rather than allow them to act in ways the Western codes as feminine. If they were able to understand that women are not lesser beings, perhaps their minds would be broad enough to imagine other endings for their male characters. But they aren't: women are not written well in RDR2.
Homophobia often shares roots with misogyny: patriarchal constructs define male homosexuality as inherently feminine, which patriarchy believes is bad, because, naturally, women are less than, other, prone to evil, etc. Rockstar's portrayals of women in Red Dead Redemption 2 don't significantly diverge from this viewpoint.
Many characters from the legends surrounding the Knights of the Round Table inspired counterparts in Red Dead Redemption 2. This post discusses Molly O'Shea, Susan Grimshaw, Kieran Duffy, and more.
Red Dead Redemption 2 mourns the loss of Eden: the outlaw life in pre-Industrial America. But under the brutal rule of colonialism, who is it who lost paradise? All articles on this site feature detailed discussion of literary allusions in Red Dead Redemption 2, and as such contain unmarked major and minor spoilers for the game, and occasionally the eventual fates of some characters in Red Dead Redemption. Read at your own risk. One of the cleverest things the developers did in Red Dead Redemption 2 was to make the technical limitations of Red Dead Redemption thematic. John can’t swim; Arthur can. John prints; Arthur writes. Arthur is more eloquent…